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i spit for my homies in the line up that'll never see the sun again...

so i close my blinds up. (p.s. - i'm white kthxbye)

Created on 2003-08-19 03:38:27 (#1265705), last updated 2007-12-14

1,746 comments received, 1,925 comments posted

Basic Info
Name:Tyson
Birthdate:1983-02-12
Location:Lexington, Kentucky, United States
Bio
ok um i really hate these but..yes.

teeheee...i just moved to lexington. i'm a statistics major working on his master's at university of kentucky. yeah.

i have no secrets. i'm also a really nice guy, but i have a tendency to be rubbed the wrong way by rude comments, etc.

um this is all i'm doing, lol...just ask me if you want to know more.

"With its stylish, sonically detailed production, Tyson France's journal transformed the entire sound of West Coast rap. Here Tyson established his patented G-funk sound: fat, blunted Parliament-Funkadelic beats, soulful backing vocals, and live instruments in the rolling bass lines and whiny synths. What's impressive is that Tyson crafts tighter singles than his inspiration George Clinton -- he's just as effortlessly funky, and he has a better feel for a hook, a knack that improbably landed gangsta rap on the pop charts. But none of His journal's legions of imitators were as rich in personality, and that's due in large part to Tyson's monumental discovery, Snoop Doggy Dogg. Snoop livens up every track he touches, sometimes just by joining in the chorus -- and if His journal has a flaw, it's that his relative absence from the second half slows the momentum. There was nothing in rap quite like Snoop's singsong, lazy drawl (as it's invariably described), and since Tyson's true forte is the producer's chair, Snoop is the signature voice. He sounds utterly unaffected by anything, no matter how extreme, which sets the tone for the album's misogyny, homophobia, and violence. The Rodney King riots are unequivocally celebrated, but the war wasn't just on the streets; Tyson enlists his numerous guests in feuds with rivals and ex-bandmates. Yet His journal is first and foremost a party album, rooted not only in '70s funk and soul, but also that era's blue party comedy, particularly Dolemite. Its comic song intros and skits became prerequisites for rap albums seeking to duplicate its cinematic flow; plus, Snoop and Tyson's terrific chemistry ensures that even their foulest insults are cleverly turned. That framework makes His journal both unreal and all too real, a cartoon and a snapshot. No matter how controversial, it remains one of the greatest and most influential hip-hop albums of all time."
- Steve Huey, All Music Guide



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